Contributions to Notice—including notes, photographs, and physical objects—are treated as traces of attention rather than personal narratives. Submissions are not presented as documentation or explanation of events, and they are not displayed verbatim by default.
Instead, I work with contributions over time, looking for patterns, repetition, texture, and absence. Materials may be grouped, altered, abstracted, or translated into other forms as part of the artistic process. Individual contributions may be combined with others or used indirectly, and they may not appear in a recognizable way.
All contributions are anonymized unless explicit consent is given, and no identifying information is intentionally highlighted. The project is judgment-free; there is no ranking, editing, or interpretation of what is “important.”
By contributing, participants acknowledge that their submissions may be transformed or partially obscured in service of the artwork, and that participation does not guarantee inclusion in a final exhibition or piece.
Notice treats noticing as a shared, everyday act and art-making as a form of listening.

Artist Translation Statement